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	<title>Rarh Design Magazine</title>
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	<link>http://blog.rarh.in</link>
	<description>A design magazine by RARH STUDIO</description>
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		<title>Bengali Ambigram #1</title>
		<link>http://blog.rarh.in/?p=1577</link>
		<comments>http://blog.rarh.in/?p=1577#comments</comments>
		<pubDate>Tue, 22 Jan 2013 22:08:44 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Lettering]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[Ambigram]]></category>
		<category><![CDATA[Bangla]]></category>
		<category><![CDATA[Bengali]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Rarh]]></category>
		<category><![CDATA[Satyajit]]></category>
		<category><![CDATA[Shubho]]></category>

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		<description><![CDATA[Ambigrams aren't necessarily the highest form of lettering art, but it can be a fun way to ease the tedium of uninspiration.]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Inscrutable Generalities</title>
		<link>http://blog.rarh.in/?p=1500</link>
		<comments>http://blog.rarh.in/?p=1500#comments</comments>
		<pubDate>Mon, 26 Nov 2012 22:58:01 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Bengal]]></category>
		<category><![CDATA[Cities]]></category>
		<category><![CDATA[Environment]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Lettering]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[Ajay River]]></category>
		<category><![CDATA[Illambazar]]></category>
		<category><![CDATA[Rarh]]></category>
		<category><![CDATA[Small Town]]></category>
		<category><![CDATA[Vernacular Typography]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=1500</guid>
		<description><![CDATA[A collection of vernacular signage from the small town of Illambazar, once known as a center of indigo cultivation.]]></description>
		<wfw:commentRss>http://blog.rarh.in/?feed=rss2&#038;p=1500</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Letters with Attitude</title>
		<link>http://blog.rarh.in/?p=1442</link>
		<comments>http://blog.rarh.in/?p=1442#comments</comments>
		<pubDate>Thu, 04 Oct 2012 09:33:41 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Lettering]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[Carlsberg]]></category>
		<category><![CDATA[Coca-Cola]]></category>
		<category><![CDATA[Ferrari]]></category>
		<category><![CDATA[Ford]]></category>
		<category><![CDATA[IBM logo]]></category>
		<category><![CDATA[International Design Style]]></category>
		<category><![CDATA[Leica]]></category>
		<category><![CDATA[Logo]]></category>
		<category><![CDATA[Microsoft]]></category>
		<category><![CDATA[Miller]]></category>
		<category><![CDATA[Paul Rand]]></category>
		<category><![CDATA[Pirelli]]></category>
		<category><![CDATA[Rebranding]]></category>
		<category><![CDATA[Swiss Style]]></category>

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		<description><![CDATA[Any student of branding will notice with alarm the trend that emerges out of the recent rebranding of Microsoft and Ebay: it is this idea of going clean &#038; Swiss with the typography. What is worrying is that this simplicity is being achieved at the cost of unique silhouettes. ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>An Aesthetic of Anachronism</title>
		<link>http://blog.rarh.in/?p=1401</link>
		<comments>http://blog.rarh.in/?p=1401#comments</comments>
		<pubDate>Sun, 02 Sep 2012 01:26:57 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Bengal]]></category>
		<category><![CDATA[Lettering]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Calcutta]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Kolkata]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[Vernacular]]></category>
		<category><![CDATA[Vernacular Typography]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=1401</guid>
		<description><![CDATA[I am increasingly in favor of trying to understand vernacular typography—not by its inherent characteristics but—by its complex relations to the mainstream design practices. The term vernacular itself is understood within its polar relation to an elite or a dominant culture.]]></description>
		<wfw:commentRss>http://blog.rarh.in/?feed=rss2&#038;p=1401</wfw:commentRss>
		<slash:comments>2</slash:comments>
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		<title>Illustrations: Bimal Das</title>
		<link>http://blog.rarh.in/?p=1327</link>
		<comments>http://blog.rarh.in/?p=1327#comments</comments>
		<pubDate>Wed, 18 Jul 2012 14:24:27 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Bengal]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Anandamela]]></category>
		<category><![CDATA[Bimal Das]]></category>
		<category><![CDATA[Cartoon]]></category>
		<category><![CDATA[Comics]]></category>
		<category><![CDATA[Drawing]]></category>
		<category><![CDATA[Graphic Novel]]></category>
		<category><![CDATA[Sadashib]]></category>

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		<description><![CDATA[In the history of Bengali illustration, Bimal Das turns a unique figure whose style &#038; vision bore no clear precedence in Bengal, and the relentless reach of his skill is unlikely to be emulated.]]></description>
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		<slash:comments>10</slash:comments>
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		<item>
		<title>On the Shores of Pulp</title>
		<link>http://blog.rarh.in/?p=1275</link>
		<comments>http://blog.rarh.in/?p=1275#comments</comments>
		<pubDate>Sat, 17 Mar 2012 12:22:34 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Bengal]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Illustration]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Comic Art]]></category>
		<category><![CDATA[Comics]]></category>
		<category><![CDATA[Narayan Debnath]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=1275</guid>
		<description><![CDATA[Discovering another side of Narayan Debnath: the adventure comics. ]]></description>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>The Many Lives of Letters</title>
		<link>http://blog.rarh.in/?p=1115</link>
		<comments>http://blog.rarh.in/?p=1115#comments</comments>
		<pubDate>Sat, 11 Feb 2012 20:24:08 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Bengal]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Calligraphy]]></category>
		<category><![CDATA[Lettering]]></category>
		<category><![CDATA[Typography]]></category>
		<category><![CDATA[Bangla]]></category>
		<category><![CDATA[Bangla Typography]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Book Fair]]></category>
		<category><![CDATA[Cover Art]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=1115</guid>
		<description><![CDATA[Any survey of the letters &#038; types on display at the Kolkata Book Fair.]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Of Songs &amp; Roses</title>
		<link>http://blog.rarh.in/?p=1041</link>
		<comments>http://blog.rarh.in/?p=1041#comments</comments>
		<pubDate>Tue, 03 Jan 2012 05:19:20 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Chitravali]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[Pratikshan]]></category>
		<category><![CDATA[R Siva Kumar]]></category>
		<category><![CDATA[Rabindranath]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Tagore]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=1041</guid>
		<description><![CDATA[A review of Rabindra Chitravali, a compilation of Rabindranath Tagore's paintings &#038; drawings. ]]></description>
		<wfw:commentRss>http://blog.rarh.in/?feed=rss2&#038;p=1041</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Language of Waste</title>
		<link>http://blog.rarh.in/?p=1031</link>
		<comments>http://blog.rarh.in/?p=1031#comments</comments>
		<pubDate>Tue, 27 Dec 2011 21:24:21 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Environment]]></category>
		<category><![CDATA[Garbage]]></category>
		<category><![CDATA[Poush Fair]]></category>
		<category><![CDATA[Santiniketan]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=1031</guid>
		<description><![CDATA[Man is defined by what he refuses. His garbage tells his story.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>His Little Worlds</title>
		<link>http://blog.rarh.in/?p=972</link>
		<comments>http://blog.rarh.in/?p=972#comments</comments>
		<pubDate>Mon, 05 Dec 2011 21:34:06 +0000</pubDate>
		<dc:creator>Shubho</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[Graphic Design]]></category>
		<category><![CDATA[Bengal]]></category>
		<category><![CDATA[Benoy Sarkar]]></category>
		<category><![CDATA[Brand Identity]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[India]]></category>
		<category><![CDATA[Logo Design]]></category>

		<guid isPermaLink="false">http://blog.rarh.in/?p=972</guid>
		<description><![CDATA[A homage to designer Benoy Sarkar.]]></description>
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		<slash:comments>6</slash:comments>
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